Axis International

Axis International was a dubbing studio based in Hong Kong which specialized in dubbing Japanese, Chinese, Taiwanese, and Hong Kong films. Most of these were from Toho, Shaw Brothers, Golden Harvest, And various smaller companies. They are notable for being the very first professional dubbing studio in Hong Kong. Notable works include Gamera vs. Barugon, Gamera vs. Gyaos, The Big Boss, Godzilla Vs. Hedorah, Fist Of Fury, Godzilla Vs. Gigan, Godzilla Vs. Megalon, Hanuman And The Seven Ultramen, And Space Firebird 2772.

Background
Axis International was founded by former British Naval Intelligence officer and sports commentator Ted Thomas. In the late 1950s, After a couple years of working in broadcasting, Ted was commissioned by Run Run Shaw too help dub films from his company, Shaw Brothers, into English. Ted enjoyed his experience working on Shaw Brothers’ films, Which would make him later open his own dubbing company in the early 1960s.

In the early 1960s, East-asian companies realized they could make more money out of their films if they exported them overseas with an English dub ready-made. Axis International was the first and the cheapest, Making them the go-to dubbing company for several film companies. Most writing sessions would begin with a company calling up and commissioning a film to be dubbed. Then, a translator (usually Ron Oliphant) would record what scene needed to be dubbed and would count the syllables and pauses for what was needed to lip sync in the scene, Which would become the basis for the English script.

The dubbers themselves were only required to know how to do two things, have fast reactions and a unique voice with good inflections, with actual acting part of it being seen as additional. Most dubbing sessions would begin by bringing in male and female broadcasters from Radio Hongkong, their spouses, or actors who had applied via a newspaper advertisement that asked for help. A clique quickly started to grow which Ted and Ron would gather together for dubbing, which from the very beginning had a bit of an RHK influence.

A cycle of Canadian men appeared in prominent roles throughout the group's history, partly because their voices more easily passed as American. First was Nick Kendall, Ted's fellow disc jockey at RHK during the 1960s. Nick voiced many major roles in the first known Axis dubs in 1963/1964 and is last heard in 1967. Starting in 1966, Nick's roles became much sparser, and a different, unidentified Canadian man began to replace him. It is he who dubbed Wang Yu in all known dubs of his Shaw Brothers films starting with The One-Armed Swordsman in 1967, and with that film he became the go-to voice for young, heroic leads. Starting around 1969, a Canadian working as movie critic for the South China Morning Post named Jack Moore became David Chiang's go-to voice. The unidentified Canadian man was then mostly replaced by Jack as the young heroic type in Mandarin martial arts films, other than a reprise of Wang Yu's voice in The Chinese Boxer and (probably most famously) Cheng Chao-An in The Big Boss. Most of the unidentified Canadian man's roles from 1969 to his last known roles in 1972 are in Japanese films. Jack Moore's last known roles are also in 1972, and after that a Canadian photographer/war correspondent named Ian Wilson (who has not been identified by voice) is known to have appeared in dubs throughout the rest of the 1970s. From around 1973 onward, the young leads in Axis dubs were mostly played by British RHK broadcaster Chris Hilton.

Microphones and tape for the film to be recorded on would be set up by engineers, and the films would be recorded in the conventional looping format. Because of the tight schedule, Axis usually didn’t have time to re-record a loop or even review it, as it might halt production on another dub they had to finish. Most dubbing sessions would take around 12 to 20 hours in total, With dubbers working from around 6 PM to midnight. With this schedule, Around six or seven films could be finished in a month.

After the dubbing sessions were complete, The dubbed reel would be sent over to whichever company had commissioned the dub. The company would then pay back about 9,000 HKD and the dubbed film would be copied so it could be shipped to the distributor that had bought the rights to that film in whichever country the company was based in. The dubs would also be used in export prints.

Axis International had many locations throughout the years, With them either being in Kowloon's walled city, Small houses on the edge of town, Or a flat with the living room made into a studio and the bedrooms being the projector rooms. However, It wouldn't be until the mid-late 70s until Axis had a designated recording studio. In the mid-late 1970s, Shaw Brothers had commissioned Axis specifically to dub their films and the films they distributed into English. At the same time, The casting process started to become more professional. Interviews for dubbing would be held at Shaw House with Ron Oliphant seeing what a new intern could do and if they met the requirements.

By the early 1980s, Axis had been losing traction due to other dubbing companies being more successful and more professional in the eyes of companies, which caused Axis to be considered obsolete. This, combined with the dwindling number of actors, caused the company to go defunct in 1982.

Anime Films

 * Space Firebird 2772 (1980)

Live-Action Films

 * The Secret of the Telegian (1960)
 * Matango (1963)
 * Atragon (1963)
 * Dogora (1964)
 * Gamera vs. Barugon (1966)
 * The War of the Gargantuas (1966)
 * Ninjascope (The Magic World of Ninjas) (1967)
 * Gamera vs. Gyaos (1967)
 * Goke, Body Snatcher from Hell (1968)
 * Genocide (1968)
 * Crimson Bat, the Blind Swordswoman (1969)
 * Trapped, the Crimson Bat (1969)
 * Watch Out, Crimson Bat (1969)
 * Space Amoeba (1970)
 * Godzilla vs. Hedorah (1971)
 * The Big Boss (1971)
 * Lake of Dracula (1971)
 * Battle of Okinawa (1971)
 * Godzilla vs. Gigan (1972)
 * Fist of Fury (1972)
 * Godzilla vs. Megalon (1973)
 * Professional Killers: Assassins Quarry (1973)
 * Hanuman and the Seven Ultramen (1974)
 * Hanuman and the Five Kamen Riders (1975)
 * Outlaw Cop (1976)
 * Mars Men (1976)
 * Fist of Fury 2 (1977)
 * Five Deadly Venoms (1978)
 * Snake and Crane Arts of Shaolin (1978)
 * Death Duel of Kung Fu (1979)
 * Dance of Death (1979)
 * Gamera, Super Monster (1980)
 * Deathquake (1980)

Talent Pool
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Voice Actors

 * Angel Chapman
 * Andy Chworosky
 * Barry Haigh (Director, Voice Actor) (†)
 * Caroline Levy
 * Chris Hilton (†)
 * George Montgomery
 * Harvey Gamecock
 * Hal Anderson
 * Ian Wilson (†)
 * Jack Murphy
 * Jack Moore
 * John Wallace (†)
 * Linda Masson
 * Lynne Wilson (†)
 * Mandy Cooke
 * Michael Kaye
 * Michael Harley
 * Michael Ross
 * Nick Kendall
 * Ron Oliphant (†)
 * Rick Thomas (†)
 * Peter Boczar
 * Saul Lockhart
 * Simon Broad
 * Ted Thomas (Director, Voice Actor) (†)
 * Warren Rooke

† deceased * }}